[ as the lines get blurred ]

isochronous :: trying at such as
a locus, those of dendronic repetition; a series of sampling and dating, contiguous strata to keep us connected : fallen for that tickticking of the passing time.

lets

get

the static that is reality into only the moving parts that seem to be imagination; sketchy, uneasy, Loud unconsciousness snapping her in and back to find what might be looked for t[here]


light and shadow separations, refracting from playful angles, bouncing or dividing as the lens moves, a see through effect; what is found when we look into one thing at another; building layers ; focusing on textures often overlooked in the rush and flow of the everyday

to walk. to wander
and to listen

derivando, con sus orejas a el cielo….....
."por las ramas"… 


in the orchards : a strategy of winding follow; trace the space where the girl stood climbing, echoes of texture between the branches and space where tree meets sky

in meeting its sound : an eclectic of different trees; calls for wind pattern recorded, while you see the cherry tree wander, is it water lapping? ahh no, just the leaves in that cottonwood breathe




upon railways : following lines up to where ones eye takes the crossing. paths we find as new scenes interest and intersect

in meeting its sound : a little gate tracks his tail to a tender touch. what soothes you, moves you; eases us into purr

[deriving] these interpretations

soundless ::

an image capturing strategy :::

[here] finding shadows amidst broken light pieces

better yet, finding pieces of light that are refracted and acting as we may normally see the shadows move; playing with how the motion of an object passing by can affect the criss and crosses of the light before our eyesas much so, the manner in which water can play with light on the lens. toying with those spherical refractions, adding circular dimensions to enhance the view.

see through to what you can find on the other side of this texture in between. the layers that make it slightly ambiguous and wavering. bends the light, plays with the scene to be seen [through]

strategia della tensione

[[[ the overall focus of strategy is finding unusual texture when the view is brought closer, finding new shapes and spaces where light and shadows come to fall or pass through, and making the viewer follow the lines of space as if it was their own eye creating the chosen motions ]]]

correspondencia

mappings.

finding the way as we travel; move; meander. we wander and wade ourselves into pools of confusion, or understanding, reception of the world, the sounds, the seeings, the bits and [bits and] pieces. pieces weaving in and out and in and out a path to follow fade into fathom [this existence]


here. consider the movement of sound [ as it is what i map ]
the skeleton plays the part of skull; eyes, ears, mouth, nostrils; receptors
to the visual and invisible chemics created that we intake regularly
[[ stimulus ]]
if you will

and consider the 'we'
[she]
he they way of us each, individual, beneath, in the taking
skull to her head takes the way [the path] of the interactive; note how

the light goes through. representing the pulses. vibrations, stimulations, reverberations taking place in the mind and behind what we find there

[it is a path] and it is its own.
mapped.
through the senses.